Author: Dick Termes

  • November 2006 Newsletter

    Recent Works

    SCIENTIFIC RELIGION or STONEHENGE 24″ diameter was just completed. It grew from a trip to England last winter when Markie and I did a two day workshop in Alconbury Air Force Base. We also took four days to see England. We had a very fun and inspiring trip to Stonehenge where I got the idea for this spherical painting. Stonehenge had an interesting feeling of Science and Religion which I tried to capture in this piece. I used a very strong angular geometry coming off the sun and a geometry based on the circle coming off the moon. Both of these were very important to man.. It was most exciting for me being at one of the first Cathedrals built by man and also one of the first Observatories of the heavens built by man. We are pretty sure the Sun and the Moon both could have been involved in the creation of this environment. Markie and I both felt it was MUCH MORE than what we expected to see. The cold weather also made my ears and hands turn to stone.


    Commission

    The Mount Marty’s Sphere is close to being finished. It is a 16″ diameter sphere of the inside of the new library at Mount Marty. Images of the history of Mount Marty also float within this building. There is a very interesting shift the architect did to add variety to this building. The outside of the building is organized to a cubical structure but the inside is shifted to a diagonal of that outside structure. This required me to use eight rather than four points around the middle of the sphere. It took me a while before I discovered this is what the architect did. The piece is coming along very well and should be finished soon.

    Wrigley Field is another commission I am soon to start on. It will be a 16″ diameter sphere also. It was commissioned by Alyce Schavone of Spearfish for Tony, her husband, who has passed away. Tony spent a lot of time at the Cubs games when he was a kid. I remember almost every time I saw Tony he would always say, “Hey Termes, you’ve got to paint Wrigley Field on one of your Termespheres.” Alyce caught me a while back and said, “Let’s do it.” I think it will be very exciting to paint. I took a trip to Chicago and got to see the Cubs play the Dodgers. It didn’t work out so well for Chicago. The score was 11 to 1 but I did get three wonderful total photos and many detailed photos of the experience. I will begin this painting very soon.

    While in Chicago I got to spend some time with Chanda, my niece, her husband Edger and their two great boys Turner and Riley. I also went to Millennium Park and took a couple of total photos inside and outside of Sky Bridge which is a wonderful large reflective sculpture that is in the shape of a large bean (as Edger calls it). I enjoyed seeing what an inside concave reflection looked like. I always wondered what the inside of a reflective sphere would look like. Now that I have seen, at least a part of the inside of a reflective sphere, I still don’t understand it. What a great study the inside of a mirrored ball would be…


    Thoughts on the Total Photo

    I want to spend a little time explaining the total photo as it seems like this type of photograph is now of more interest to the world than it was when I invented it. I receive a patent, number 4,214,821, on the total photograph in July of 1980. This shows the abstract below.

    For more on this pattent click here

    The Total Photo is a spherical photograph displayed on the outside surface of all the Platonic Solids or Regular polyhedra. It does with photography what my spherical Termespheres do with paint. It captures the up, down and all around environment from one point in space. In the beginning I explored all five of the regular polyhedron, the tetrahedron(1), hexahedron(2), octahedron(3), dodecahedron(4), icosahedron(5). I also explored the pop up polyhedron. I found with my Superwide Hasselblad camera the dodecahedron worked the best.

    It would look more normal if you were inside the polyhedron and let it be an environment around you. I have taken pictures of many famous interiors around the world. Some of these have helped me to paint spherical paintings of these environments.

    Taking pictures of one of my Termesphere paintings was what inspired me to figure out the total photo. I wanted to take pictures all around a spherical painting so it could be put together on the flat surface. I learned very quickly if the photo were to be put back together in some kind of orderly way, it had to be photographed in some geometric way. I knew about the different polyhedra that fit on the sphere. I drew the icosahedon onto the surface of a painting with erasable ink. I set my camera and tripod up so I could shoot straight into each of the triangles. This was done by turning the sphere in a cylinder until the center of each triangle was in the center of the lens. The result turned out very well but I learned the triangles were bulging out triangles rather than straight line triangles. This was a problem as I had to either cut off part of the image or have a black pattern between each triangle. I ended up with dark patterns between the triangles. This wasn’t as smooth as I was hoping but it opened my mind to painting on polyhedra and taking on the concept of the total photo. The total photo has become a great tool for me for doing the famous interior Termespheres. I believe this total photo concept has transformed into what is now called virtual panoramic photos.


    Virtual Panoramic Views of Termespheres

    Some wonderful new ways to do panoramic photos and virtual reality panoramic have now come into the world through the computer. These systems, like the total photo, allow you to see the total picture around you. This program can be tricked into thinking my Termespheres are environments and can put you inside the spheres. Several different people have played with my work and gotten some pretty exciting results. Check out these sights to see some exciting new way to look at Termespheres.

    Six Senses By Larry Lohrman
    The Scholz Home By Larry Lohrman

    Ryan Packard has done some extensive exploration with this system and is getting very close to helping me reproduce my spheres without melting them down. This is a really exciting for me because three of my past spheres that I wanted to reproduce are now only found in flat disk forms. In the past I had to actually heat the hemisphere of my acrylic original spheres until they melted to the flat. Once they were flat I could take that image and silkscreen it on flat pieces of plastic. These flat silk-screened on plastic would then be blown back into hemispheres and glued back together as spheres. Ryan has so far taken pictures all the way around three of my spheres and made Virtual Panoramic pieces out of them. This means with the help of your computer, you can be inside the sphere and turn and look up, down and all around. It is a wonderful experience.

    He also has flattened these spheres into two flat disks which we think are very close to what would happen if we melted them down. This makes me very happy. Also he can take the spheres and turn them into polyhedron shapes. These polyhedron seem to fit together very well. He has given me a very large amount to think about.


    Current and Future Shows and Workshops

    October 7th- February 15th I had an opening for the one-man- show at the Washington Pavilion in Sioux Falls SD There are 12 spheres in that show which hangs in the stairwell of the atrium to the visual arts section. I also did a workshop on perspective and a lecture on the Termespheres

    October 21st – February 15th There was an opening for my one-man-show of 28 Termespheres at the Octagon Art Center in Ames Iowa. I also did a workshop and lecture at the Octagon Art Center.

    February 1st – March 1st 2006 I will be doing a show at the Cam-plex gallery in Gillette Wyoming. I will also be doing a lecture and workshops.

    2006 a show and workshop at the Lamont Gallery at the Phillips Exeter Academy in Exeter, NH

    February 4th-10th I will be teaching a week long intensive workshop for DODDS students at Creative Connections in Germany

    Shows Taking Place at this Time

    This has been a very interesting time for shows of Termespheres. I have two major shows going at the Washington Pavilion in Sioux Falls and the Octagon Art Center in Ames Iowa. Another three spheres are in a show at the Hearst Art Gallery at Saint Mary’s College in Moraga, California. My Termesphere Gallery in the Black Hills still has a lot to look at. I always have a sphere at the Bay Leaf Café in Spearfish, usually the newest piece. I have a sphere in an Art and Math show put together by Claude Bruter that has been traveling all around France.


    Publications

    David Salomon is writing a book on Art and Math which will have a lot of information on my six point perspective spherical paintings. He has produced many books in the past and is a retired professor from the Computer Science Department of California State University Northridge California. I am looking forward to seeing this book in print.

    Al Seckel is working on an enlarged edition of MASTERS OF DECEPTION which was published last year. I am adding more spheres to this new book.

    Dr. Annalisa Crannell from Franklin and Marshall College and Dr. Marc Frantz from Indiana University received a National Science Foundation Grant to do a book on VIEWPOINTS: MATHEMATICAL PERSPECTIVE AND FRACTAL GEOMETRY IN ART by Princetion University Press which I am to be a part of.

    The Rapid City Chamber of Commerce is putting together a table top book on what to see in the Black Hills which I am pleased to be part of as well.


    Christmas is Coming Again

    WE ARE HAVING AN OPEN HOUSE on December 10th from 9:00am to 4:00pm and on the 11th from 12 to 4pm.

    Like last year we will have “a 5% off” special for all people coming to the Gallery or buying at my online store.

    To receive your Special Once-A-Year-December-10th-11th-Only online discount:

    1. Go to online store
    2. Add the products you want to purchase to your shopping cart
    3. When you are ready to check-out, look for the ‘voucher’ box towards the bottom of the shopping cart page
    4. Type the word Cheers! into the voucher box
    5. Click the recalculate button and like magic, your discount will appear

    If you have any problems email webmaster@termespheres.com.

    If you are looking for unique gifts, be sure to mark December 10th-11th on your calendar.
    $30 and up Original Spheres – Captured World Polyhedron Prints –
    Silk Screened 8″ Termespheres – Hemismirrors – Perspective Book –
    Masters of Deception Book – T-shirts – Magz Sets – Puppets – Markie’s Videos and DVDs of Dragons Are Too Seldom Puppet Shows and Termespheres – Pop-Up Total Photos


    Thank you for reading to the end

    I hope some of my thoughts will get some comments back from you, positive or negative and, new ideas. I love the way some of my math friends are making suggestions of concepts for me to consider. If you would like to be taken off this newsletter list please let me know. As always, thank you for your tremendous support and encouragement. I would love to hear what you think.
    Feel free to call at 888-642-4805 or email me termes@blackhills.com

  • April 2006 Newsletter

    I do thank you for your support and interest in my work. It is kind of fun putting these news letters together because I enjoy writing about my ideas and sharing some of these thought with you. I hope you will feel free to email me back and give me your thoughts on some of these ideas.


    Streets of a Story CD Release Concert

    I want to start this news letter off with some information on my son Lang Termes. I am very proud of what he has done with his music career. Not only is he finding steady gigs in Bozeman Montana but also creating 80% of the music he plays. I am pleased he sees the difference in playing what the world has already accepted and trying to find new paths. I know this is a much harder path to travel but in the end it is much more rewarding.

    Lang will be coming back to the Hills for a CD Release Concert at the Dahl Fine Arts Center in Rapid City on the 15th of April at 1:30. I hope any of you that can make it will come to this gathering and if you can’t, go to his website and listen to parts of these songs or buy his latest CD. Hope to see you there. This is his concert poster.


    Explaining Some of My Older Ideas

    CAPTURED WORLD POLYHEDRA
    When I created these polyhedron paintings, my interest was in getting the concept of the six-point perspective into a reproducible form. At that time I wasn’t able to reproduce the spherical paintings as spheres so the best next thing was to flatten the spheres into polyhedron so they could be reproduced.

    I wanted a similar concept to be on these polyhedra as was on the sphere. I also wanted the six-point perspective to look like it belonged on the different polyhedron. This meant I wanted the geometry of the perspective to fit with the geometry of the polyhedron. How do you get six equal distant points to fit in a sound way on the five regular polyhedron? The six equal distant points that I use on the sphere geometrically are equal to the six points or vertices of the octahedron. The Octahedron is a polyhedron that has eight equilateral triangles which make up its faces and these triangles come together into six junctions or vertices. My job was to see how these six points would fit into the other four regular polyhedra. After some study I found they do. I found out many people already knew they fit together but none of them were getting them to fit so that their drawing would look good so, at least got to that point first. In making this study I learned a great deal of new information on just how exciting the study of polyhedron was. It has turned into a couple of different workshops I offer to math and art classes. The following are examples of what I got from this thinking.

    CUBE WITH FOUR (THREE TWISTED) MOEBIUS INSIDE
    I created this sculpture around 1972. It was made from one inch metal cubical tubing welded together to make a stable two foot cube. From one corner a rod was welded so it could be displayed from a corner as the bottom. Holes were then drilled into the metal about an eight of an inch apart. Clear plastic line was woven into these holes and stretched around to three different edges of the cube. These three edges were going in three different directions, Up and down, north and south and east and west. The result was three bands of these triple twisted patterns floating inside the cube. I only strung these lines from the center one third of the edges of the cube. Something special goes on with the geometry because not one of the patterns created from this touched each other. My question to this day is, would this not touching have happened if I would have continued each of these bands out to the corners?

    This three twisted band which three are in this cube led me into another form I played with. Adding a little dimension to this band turns it into what is called the Penrose Tribar. (see illustration) This is an illusion that Roger Penrose invented and M.C. Escher explored. The Penrose Tribar is an impossible structure only possible as a drawing. Escher played with this structure when he created ASCENDING AND DESCENDING which shows people going up a stairway and coming right back to the bottom even though the people have gone only up the stairs. WATERFALL also uses the Tribar to show waterfalls that fall and fall but somehow come back to where they began.

    I would like to make a comparison with this impossible cubical structure. The drawing below shows how I progress from this cubical structure to an impossible cylinder structure. What do you think? Is it the same illustration except in cylinder form?

     

    Why I enjoy painting on Spheres

    I get asked, “Are you still painting on spheres?” a lot. I guess some people think I am just going in circles. Here is my comment to them.

    Think about how many paintings have been done on the flat surface over the past 2000 years. They have covered and recovered that flat surface pretty well. If you think just on the geometrical level of the difference between the flat surface and the sphere surface you will realize there is a lot of difference. The patterns, which fit on the flat, will not fit the same way on the sphere. So the sphere offers a whole different set of ideas which are not possible on the flat. Therefore, I would guess there are at least 2000 years of spherical painting ideas possible.


    New spheres just finished

    THE OLD BALL GAME
    This piece was finished and hung in Alyce Schavones’ home in Spearfish South Dakota. Alyce had a opening for her sphere February 24th. Going along with the Wrigley Field theme we had the proper beer and hotdogs at the gathering. We had a great time at this unique and fun opening.


    What I am working on

    It is in an early stage but it should be a most interesting concept.

    The room you are in is painted with opaque paint so you can’t see through it except there are lots of mirrors on the walls of the room. All of the mirrors are left transparent. When you look into the mirrors you are looking at the back-side of the sphere. The back-side of the sphere is conceptually what is behind you so the mirror is reflecting that. There are enough mirrors to let light into the inside of the sphere to allow it to show up when seen through the mirror.

    Where I have been lately

    CREATIVE CONNECTIONS was just completed. This was the fourth time I was invited to Oberwessel Germany to work with 15 arts students from the DoDDS-Europe. 150 fine arts students are picked from 35 High Schools. Theater, music, and the visual arts have a variety of areas they can study.

    GALLERY SHOWINGS OF TERMESPHERES This last month I showed 22 Termespheres and did workshops at the CAMPLEX CENTER in Gillette Wyoming. This show was up until March 3rd. The reception for this show was February 23rd. This was a wonderful place to show and great people to work with.

    I also just finished a workshop and showing with the Math Department at WESTERN WASHINGTON UNIVERSITY in Bellingham Washington. I tied together slides of my work with the workshop of one through six-point perspective. I think it went over very well. I was also pleased that they gave each of the participants the book I have a chapter in called Masters of Deception by Al Seckel.

    I JUST SOLD A SPHERE TO the GLASGOW SCIENCE MUSEUM in Scotland. The lady there saw a Termesphere in the SINGAPORE SCIENCE MUSEUM and said she couldn’t get it out of her mind. Singapore has the FISH EYE VIEW and Glasgow will have THE HUMAN CAGE. The Singapore Science Museum has an optical illusion permanent show which has my sphere in it. I also have a sphere in The Discovery Museum in Acton Mass. So the Science Museums are showing quite in interest in my work.

    PENROSE TRIBAR SPHERE just sold to Tom Rogers from Atlanta Georgia. He is the organizer of the Gardner Conferences there and is a very good friend of Roger Penrose.


    Thank you for reading to the end

    I hope some of my thoughts will get some comments back from you, positive or negative and, new ideas.

    I love the way some of my math friends are making suggestions of concepts for me to consider. If you would like to be taken off this newsletter list please let me know. As always, thank you for your tremendous support and encouragement. I would love to hear what you think.
    Feel free to call at 888-642-4805 or email me termes@blackhills.com

  • April 2005 Newsletter

    Travels

    I spent a week in Germany at Creative Connections and met my wife Markie Scholz in London on the way back. While in England we both did two days of workshops, Markie with her puppets shows and workshops and me with my perspective and polyhedron workshops. We also had the opportunity to see Stonehenge while we were there which has been something Markie and I have dreamed about over the years. We both agreed we were not in the least disappointed. I couldn’t believe how noncommercial it was, a very large compliment to their State Park System ( English Heritage). Viewing one of the world’s largest stone circles was an inspiration that will undoubtedly grow into a future Termesphere. Back in London, we attended a play, HIS DARK MATERIALS which had a great concept behind it and included some wonderful puppets. You know who really got into that! Another fun and circular stop was the LONDON EYE. Billed as a combination of the elements of air, water, earth and time, it took 30 minutes for our one rotation. The view of London from on top of the giant Observation Wheel was extremely impressive.


    Publications

    I just received a beautiful new catalog from a show my work is in sponsored by the University of Paris called MATHEMATIQUES AND ARTS. It is a collection of the works of Math/Art people from around the world. This show was organized by Claude Bruter, a professor of Mathematics at the University of Paris in France. Many large photos of my spheres are part of this showing as well as THE SPIRIT OF GOTHIC HALL which is a 13″ diameter sphere that I did of the Gothic Hall in Bruge, Belgium.

    The good news is that the second publication of the book MASTERS OF DECEPTION Escher, Dali and the Artists of Optical Illusion is now out. The first printing was in Nov 2004. By mid December it was sold out. The book was put together by Al Seckel and the forward is by Douglas R. Hofstadter, Ph.D., author of GODEL, ESCHER, BACH. It has been very exciting to be part of this book. If you can’t find it in you local book store it is available at our gallery or in our online store.


    Termespheres (some new, some historic) and the thoughts behind them

    OLDER PAINTING GETS ATTENTION:

    PORTHOLE TO THE PAST is getting more attention because of the HBO Deadwood series. In 2002 I painted this 36 inch diameter sphere. It is a 360 degree view of the early Deadwood days (1876-77). It was commissioned by the Deadwood Visitors Center and the Preservation Commission. Recently I took some photographs of PORTHOLE TO THE PAST and produced a photo essay album of the images of people I painted. Many of the characters I painted in this piece are featured in the HBO series. I enjoyed going through old photographs and books to find the pieces and parts to make this 360 degree world realistic. I worked very hard to make this scene of Deadwood historically accurate. This Deadwood changed after the fire of 1879. If you haven’t seen this painting you should stop by the Deadwood Visitor Center (the old train depot downtown) and see it.


    Recent Work

    GARGOYLES IN SAINT DENIS is a 13″ diameter sphere which I just finished. How could I walk away from the strange gargoyles waiting on the outside of St. Denis and the tomes of the kings and queens of France waiting for me inside the Basilica? They literally screamed, “Termesphere”. I took three or four total photos of the interior of St. Denis in 1992 when I was in Paris to lecture and show slides on my spherical perspective at Ecole des Beaux Arts. It took me 13 years but finally St. Denis is a sphere. The Basilica is one of the first Gothic structures ever built. Because of the very strange feeling you have within this building I felt the Gargoyles needed to be inside to help with that feeling. It is a very strange place.

    TRI EVERY ANGLE is also now finished. It was a wonderful study of 5,120 triangles as a grid over the sphere and what all could grow from it. Many tessellating patterns and a landscape with people grew from this grid. I was most pleased with this study and also with the colors. The people coming from the triangles are amazingly real.


    Future Shows and Workshops

    Creative Connections is just over. I had 15 wonderful visual arts High School students in Oberwesel, Germany on the Rhein for five days to see what we could achieve. A total of about 150 fine art students come to Creative Connection which is part of the DoDDS-E system. Having this event center on the Fine Arts is an important concept. With students from dance, theater, music, and the visual arts there seems to be less competition and more support, which is very nice. Look up http://www.eu.dodea.edu/cc.htm to see more on this gathering. It is the kind of idea I would like to see South Dakota do with its Fine Arts High School Students.

    Markie and I also did two days of workshops in Alconbury Elementary and High School in England. Markie did shows with her puppets and workshops and I did slide lectures and workshops on polyhedra and perspective.

    • April 6th I will spend a day in the Pierre Middle School doing workshops with 7th grade students. On the 7th, 8th and 9th at the Discovery Center in Pierre, I worked with students to create a large Icosahedron painting. All five Platonic Solids have now been created for the Center.
    • April 12th and 13th I was in Sheridan working with two Elementary Schools. I also did a slide-lecture for the Sheridan Artists Guild and a small showing of Termespheres.
    • April 28th and 29th I will be in Groton, South Dakota working with students at 9th annual All Dakota High School Fine Arts Exhibition.
    • May 12th I will be in Belle Fourche at the Middle School doing workshops.
    • June 1st through the 30th I will have a showing of Termespheres at Black Hill State University in Spearfish SD.
    • June 13th – 17th I will work with High School students at Black Hills State University.
    • June20 – 24 I will teach two classes at Black Hills State University. One is called THE GEOMETRIES UNDER THE PAINTING and the other is TOTAL PICTURES.
    • June 28- 29th a gallery talk and slide lecture and workshop on polyhedra for High School students for the Center for the Advancement of Mathematics and Science Education in Spearfish.
    • July31st – 3th I will take a show and do a lecture on Math/Art at the Renaissance Banff in the Banff Centre, Banff, Canada
    • August 18th I will hang a Termesphere showing in the stairwell at the Washington Pavilion In Sioux Falls, South Dakota.
    • October 7th-8th the opening for the show and a lecture and workshop will take place at the Washington Pavilion.
    • October 19th I will take a show to the Octagon Center for the Arts at the Iowa State University in Ames Iowa.

    Patrons

    – I feel it is very important to say a few words about patrons to the arts. Many of us think we, as artists, are the only ones that make art happen. In reality, without patrons art would become a scarcity indeed. Patrons are the people who want art to happen enough to put their hard earned cash out there to see that art does happen. Artists would be a much smaller group if they had to create in a void. Perhaps they might be born in a rich family or all have two jobs to support their art. Patrons are not given enough credit in the art history books. Patrons also give the art a safe and good home whereas sometimes the artist has it stored in the back shed. Anyway, thank you patrons from all of us that rely on your help.


    End Note

    • A good idea is only as good as how hard you push it.
    • If you wait for that person to come along to discover you, you may be growing flowers rather than painting them.
    • Learn to listen to yourself…………
    • Perspective is the skeleton of visual space……….
    • When the body gives up, the mind has no home……….
    • A very interesting life is to challenge oneself to search for the orders in the Universe…
      They are there for us to find…………

    Thank you for reading to the end

    I hope some of my thoughts will get some comments back from you, positive or negative and, new ideas. I love the way some of my math friends are making suggestions of concepts for me to consider. If you would like to be taken off this newsletter list please let me know. As always, thank you for your tremendous support and encouragement. I would love to hear what you think.
    Feel free to call at 888-642-4805 or email me termes@blackhills.com

  • December 2004 Newsletter

    First Annual Christmas Open House!

    It’s time for some sphere-cheer!

    On December 11th and 12th we will host THE FIRST ANNUAL CHRISTMAS OPEN HOUSE at the Termesphere Gallery from 9 to 4 pm. There will be a 10% discount on everything purchased during these two days at the gallery or on the Termespheres.com website. Our address is 1920 Christensen Drive, Spearfish South Dakota. Telephone for directions at 605-642-4805 if you don’t know the way. Christensen Drive is the road just west of K mart and we are 1.7 miles down the road.

    Important note: If giving a Termesphere to everyone on your Christmas list is a bit out of reach this year, fear not! The Termesphere Gallery has lots of really cool, exceptionally unique gifts starting at $5.00.


    Publications – Masters of Deception

    by Al Seckel

    The book I mentioned in the last newsletter is now on the shelves of Barnes and Noble, Borders Books and the Termesphere Gallery. MASTERS OF DECEPTION – ESCHER, DALI AND THE ARTISTS OF OPTICAL ILLUSION by Al Seckel is very exciting indeed. Amazon.com had this to say:

    “Astonishing creations by masters of the art, such as Escher, Dali, and Archimbolo; amazing visual trickery; and an illuminating foreword by the Pulitzer Prize–winning author Douglas R. Hofstadter make this 320-page, breathtaking collection the definitive book of optical illusions.”

    Two of my favorite artists, M.C. Escher and Salvador Dali are featured along with eighteen others including Giuseppe Arcimboldo, Jos De Mey, Rob Gonsalves, Scott Kim, Octavio Ocampo, Istvan Orosz, John Pugh, Roger Shepard and Yours Truly (page 295-304). All are serious artists who love to play with illusions within their work. Each of us is featured in a ‘gallery’ (chapter) with incredible color reproductions of our works along with explanations of how our illusions weave within our art pieces. I think this is an outstanding book that has some of the most exciting illusion art found in the world and just fun to look at again and again.


    Termespheres (some new, some historic) and the thoughts behind them

    Each newsletter I like to explain one of my completed paintings. This time I would like to explain a little about the sphere ATOM AND EVE painted in 2002. This is a painting which combines science and religion. The science is the circular geometry which became the substructure for the painting. The circles that covered the whole sphere grew from a polyhedron that was first drawn on the sphere. I wanted the images that I invented from these circles to become the Adam and Eve story. The snake does this very well and also the apple and the tree. If you follow the snake it uses the tight fitting circles. Some of the circle grid or substructure is inside the snake and some of the circles are outside the snake. Even if people don’t see the circle substructure they feel the design WORKS. I would rather people didn’t know the strong circle grid was even there. The fear of the white canvas that artists talk about comes into play here, instead of making a scribble like some artist do, my scribble is a precise grid. This really gets my creative mind working and also give me back some results that I don’t expect.


    Recent Work

    I finished BRAIN STRAIN! Last time I explained a little about this 30 point perspective spherical painting. The substructure for this sphere came from what Plato called the “Universe Polyhedron,” the dodecahedron. Each vanishing point I used is found in the center of the edges of the pentagons on the dodecahedron. There are twelve pentagons on this polyhedron. I used six equal distance points for my six-point perspective. By using the dodecahedron edges I was able to have five sets of cubical patterns, each having their own six point system, all happeing in the same sphere. So this comes to 30 point perspective. When I began this concept I thought it would look disorderly but with the dodecahedron substructure it seems to hold together very well.

    The colors for this piece were much more intense than most of my paintings. I started with an almost pure palette as I wanted each of the set of six points to have its own color. I also wanted the cubes that projected to these points to be the same color. This helps people see the order. Most of the colors inbetween these vanishing points were mixtures of those pure colors. I used an orange, blue, green, red violet, and blue violet for the five colors. I used a glazing and stippling technique to do the painting. I also allowed myself to use white to mix in for some scumbling (using white as a thin wash) effects to help with better depth effects.


    Works Sold

    INSPIRATIONS FOR ESCHER sold to James R. Von Ehr II last month. Among his long list of amazing accomplishments, Von Ehr owns the largest collection of M.C. Escher in the world. It was an honor to meet him at the School of Mines and Technology in Rapid City where he gave the keynote speech at the Nanotechnology Conference which focused on the place of nanotechnology in science and society.

    There is so much good to say about Mr. Von Ehr. He founded Altsys Fontographer in 1984 and sold it to Macromedia 1995 (an accomplishment that has my webmaster in awe). In June 2003 he was awarded Ernst & Young’s Entrepreneur of the Year Award for Pioneering and now he intends to get in on the ground floor of a second revolution – nanotechnology though his current company, Zyvex Corporation. He’s surrounded himself with the most prominent thinkers and researchers in the field, hoping to develop and sell the machines which will make nanotechnology as common as desktop computers are today. And now, he owns a Termesphere—which goes to show that along with his polished skills as a business man, scientist, innovator and social leader, he also has mighty fine taste in art.

    IN THE WORKS -Mount Marty has committed to a commissioned sphere of their library environment and images of Mount Marty.


    Works in Progress

    I have just finished a 15 piece one man show at Mount Marty College in the Bege Art Gallery of the Student Union in Yankton South Dakota. It was there until November 25th. While in Yankton I did a slide lecture at Yankton High School for the student body.

    I traveled then to Augustana College in Sioux Falls and did a workshop on ONE THROUGH SIX POINT PERSPECTIVE. This two-hour session included students and instructors so it was great fun. It is always interesting to really make the art students think. I have put so much thinking into this workshop that it is fun for me to share the thinking with a captive audience. They tell me I give them a Termesphere headache.

    The Tweed Museum of Art at the University of Minnesota, Duluth is touring a show called Mathematical Instinct. One of my Termespheres called FINISHING AN ESCHER is part of this traveling show. It also is being shown at Rutgers University in Camden NJ and the University Art Museum, University of Richmond VA. Sometimes your art work takes on a personality of its own and travels with its own story to tell.


    Future Shows and Workshops

    • February, 2005 – For the third year I will be doing a week long workshop for CREATIVE CONNECTIONS which consists of 150 Fine Art High School students from the DODDs system. It will take place in Oberwesel, Germany.
    • April 28-9, 2005 -I will be one of the instructors at the ALL DAKOTA HIGH SCHOOL EXHIBITION and WORKSHOP, Groton, SD.
    • June, 2005 – Termespheres One-man-show at Black Hills State University, Spearfish, SD.
    • July 31- August 3, 2005 a showing Termespheres at Renaissance Banff (Canada) Bridges conference plus Coxeter Day.
    • July 25th- January 6th One Man Show in stairwell at Washington Pavilion in Sioux Falls SD

    SHOWS BEING WORKED ON….

    • Iowa State showing at the Octagon Gallery
    • Showing of Spheres at Cam-plex Gallery in Gillette, Wyoming
    • South Dakota Art Museum in Brookings South Dakota

    “IDEA” is how I make my living—Dick Termes


    Dick’s Works in Progress

    I am working on a spherical painting, which may be titled, OUT OF THE TRIANGLES, that plays with tessellating patterns. Tessellating patterns are patterns which fit tightly with themselves with no background space left over. The basic element I am exploring in this case is the triangle. The triangle as an element, has many different tessellating shapes that can be created from it. Some examples that come out of the triangle are the diamond, the chevron pattern and the hexagon, all can fit with themselves like tiling with no background spaces. A flat painting called COMMON DESCENT that I painted in 1972 made me think about what would happen if I played with this triangular grid on the sphere. This study of triangles led me to see how many interesting human figures might come out (be created) of this grid. I am very pleased with them. It’s as if they are creating themselves. They definitely make the painting OUT OF TRIANGLES into an extremely dynamic piece. As I progress, the tessellation will create the land, mountains and sky, indeed the entire environment the human forms live in.

    One of the things Escher taught me is geometry or pure optical illusion alone can come off too math-like. Many people don’t relate to this type of study. If this same geometric world is also a landscape with people living in it, it becomes something people can relate to. The study will get to the viewer by osmosis as they look at the painting. I am very much enjoying painting this piece, which has to be a good sign.

    Another smaller sphere I have been working on was inspired by Jeff Weeks who is an expert in Topology and Geometry Software. Doris Schattschneide who wrote the book VISIONS OF SYMMETRY suggested I talk to him about tessellations. He suggested a variation on my ARROW SPHERE which has tessellations or tight fitting arrows going both directions to two different poles on a sphere. His idea was to bring the arrow out of one point and bring them back in to the same point. He says this idea is like the way the magnetic energy patterns works. I tried this and it is a pretty exciting little sphere. It is still in process.


    End Note

    The first newsletter had the thought or question,
    “WAS SIX POINT PERSPECTIVE DISCOVERED OR FOUND (INVENTED)?”
    I am going to change these words to DISCOVERED OR INVENTED to help make this thought more clear.

    Bill Fleming, friend and fellow artist, suggested he wanted to hear my answer to that question. So this one is for you Bill.

    First I want to make a distinction between the two words. The kind of “discovered” I mean is when it was always there and you just have to realize it. The kind of “invented” is not to uncover but rather to make up without the help of nature.

    I have a little trouble saying that the six point perspective concept was INVENTED when I also tell everyone it is right out there for us to see. It is hard to say I invented it when it is right in front of us. One could say, if I am the only one that could see it, than it would be INVENTED. I feel, I looked out there and FOUND it. It was waiting for me to imagine myself crawling inside a transparent sphere and copy what I saw onto the sphere. When I envision myself inside my stable transparent ball which is inside a cubical building and I turn in a circle, the three sets of parallel lines which make up the cubical room are right around me. There is a set of lines that run north and south, another set that runs east and west and another set that runs up and down. If I follow the lines they lead me to the six vanishing points. The lines that I am following are not straight lines but rather curved lines or they wouldn’t be able to go to all six points. Later I realized that there is another way the six points could be found–if I figured out the closest point between me on the four wall and the ceiling and the floor. If I measured with a measuring tape from my eyes to the six planes, the closest point to the walls shows me where the vanishing points are located. Once I think of myself inside my transparent sphere and see how images from the outside room would project to the skin of the sphere this became clear. I guess what I am saying is that I believe I discoverd it rather than invented it. Inventing seem more like I made it up and I don’t believe this is made up. I think this is how it really is. Let me know what you think.


    Thank you for reading to the end. I hope some of my thoughts will get some comments back from you, positive or negative and, new ideas. I love the way some of my math friends are making suggestions of concepts for me to consider. If you would like to be taken off this newsletter list please let me know. As always, thank you for your tremendous support and encouragement. I would love to hear what you think.
    Feel free to call at 888-642-4805 or email me termes@blackhills.com

  • September 2004 Newsletter

    Was six point perspective discovered or found?

    Well, I have been painting spheres for almost 35 years now and it is still as filled with discovery and fascination today as it was low, those many years ago.

    It seems you must think so as well, judging from the many inquiries, emails, visits and phone calls I receive. To that end (and to satisfy my very pushy webmaster’s demands) we have decided to create this bi-monthly newsletter.

    We hope you enjoy catching up with the news from the world of Dick Termes. Visit the website www.termespheres.com and keep in touch.


    Termespheres (some new, some historic) and the thoughts behind them

    The latest finished sphere is a 24″ diameter spherical painting called FOOD FOR THOUGHT. This painting shows the total environment of the inside of the restaurant in the La Fonda Hotel in Santa Fe, New Mexico. I selected this site because of the colors and the strong structures that lend themselves to my perspective. There were some interesting challenges to this piece like getting round tables to fit into the six point perspective of the building.

    This hotel has great history behind it, going back some 400 years. A ghost stands in a circle pattern on the floor where a well once existed. The story goes that after an unlucky fellow lost his company’s money in a card game at the Hotel, he ended it all by diving into the well. Supposedly, his soul still lingers, awaiting restitution. I have always had the ability to not have to be where I was……………………Dick Termes For those who haven’t seen my last three commissions, take a look here.


    Recent Work

    Lewis and Clark
    AGAINST THE CURRENT

    Deadwood’s 1876 panoramic
    PORTHOLE TO THE PAST

    Avera St. Luke’s Hospital
    STAIRWAY OF LIFE


    Past Workshop and Shows

    This summer I did workshops for the Center for Excellence at Black Hills State University. The participants were some of the top math and science high school students from South Dakota.

    I gave the students a tour of the Termesphere Gallery as well as a slide lecture on my other work. The next morning we built polyhedra structures with Magzs and foam balls and sticks. The students came up with some wonderful new structures that were excitingly new to me. After building unique polyhedra the students painted them with the idea of bringing out the polyhedron’s inner rhythms. The students then took their own works home.

    I also conducted two other workshops at Black Hills State University. One was called Art Through Math, Math Through Art and the other was Organizing Your Intuition. These workshops ran concurrently for five days and were sponsored by South Dakotans for the Arts and Black Hills State University.

    At the Discovery Center in Pierre we continued our ongoing Platonic Solids project. This time we created two more polyhedron paintings for the Center. Now a tetrahedron, a dodecahedron, an octahedron and a cube all hang at the Discovery Center. Next year we will finish the set of Platonic Solids with an icosahedron painting.


    Current Shows and Workshops

    Termespheres are currently part of a Group Show at Bradford Brinton’s 3rd Biennial Invitational which includes sixty five artists from across America. Bradford Brinton is a wonderful Museum/Gallery on a ranch near Sheridan Wyoming. This current show will be open to the public through October 3, 2004.

    At the Tweed Museum of Art the Termesphere FINISHING AN ESCHER is currently showing. The University of Minnesota, Duluth put together a traveling show called Mathematical Instinct. Some of the tour stops include Rutgers University in Camden NJ and the University Art Museum, University of Richmond VA.


    Future Shows and Workshops

    • November, 2004-Termesphere show and workshops, Mt. Marty College, Yankton SD
    • February, 2005-Creative Connections in Germany
    • April 28-29, 2005-All Dakota High School Exhibition and workshops, Groton SD.
    • June, 2005 A showing of Termespheres at Black Hills State University, Spearfish, SD

    “IDEA” is how I make my living—Dick Termes


    Dick’s Works in Progress

    The 24″ diameter sphere I am painting now is called BRAIN STRAIN. It is a 30 point perspective piece using rows of cubes as the subject. The object of this piece is to show that you can use more than six points for perspective. To use more than six points requires that there be some other things going on in a room which are not moving parallel to the original room.

    Turning a table so it isn’t running with the room will create another four points on the sphere. Tipping it up on one leg will create six more vanishing points which are different than the original room. So if you have a group of cubes parallel to each other they will go to a set of six points. That means this painting with the tipped table now uses twelve point perspective. If you keep adding more sets of cubes which are not parallel they will continue to need another six points. One thing that is consistent is that each of the sets of six points will always be equal distant on the sphere.

    On this piece I use five sets of the six point perspective to get to the thirty point perspective. I didn’t want these to be just anywhere, so I organized the vanishing points on the middle of the edges of a dodecahedron. The dodecahedron which has twelve pentagons in it, has thirty different edges in it. Each edge has five other edges around the dodecahedron that are equal distant.

    Another way to think about it is that the vertices (corners) of the octahedron are six equal distant points. Five of these octahedron corners can be found touching the center of the edges of the dodecahedron. That is how I organized these thirty points. So the five different groups are each organized to their own six point perspective systems but those five have another order holding them together.

    Another important part of this piece is COLOR. I am trying something new with color. I will explain more about this next time.


    Publications

    I am VERY pleased to have a chapter in the book MASTERS OF DECEPTION by Al Seckel. It will be sold in all of the major bookstores this October including the Termesphere Gallery. It is a book about optical illusion artists, Escher and Dali as well as eighteen other artists. The book explains how my spherical paintings give the sense of being inside the sphere when you look at them. Many views of the eight spheres are shown in full color. Other very prominent artists like Rob Gonsalves, Jos De Mey, Giuseppe Arcimboldo, Scott Kim and Octavio Ocampo are also featured. If you don’t know them now, you will after you see their work. It is the type of work you don’t forget.

    Another book on perspective titled, INSTRUMENTOS PARA LA GEOMETRIA PERSPECTIVA was released in Mexico recently. The sphere, St. Peters is shown.

    Other recent books with chapters about Termespheres are THE VISUAL MIND edited by Michele Emmer and printed by MIT Press, M.C. ESCHER LEGACY edited by D. Schattschneider and M. Emmer and a French publication, MATHEMATICS AND ART edited by Claude Brutner from the University of Paris.


    As always, thank you for your tremendous support and encouragement. We would love to hear what you think. Feel free to call anytime at 800-642-4805 or email us termes@blackhills.com

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